Adam Tedesco is a founding editor of REALITY BEACH, a journal of new poetics. His poetry and essays have appeared in Entropy, Gramma Weekly, Funhouse, Fanzine, Fence, Cosmonauts Avenue, Laurel Review, Powder Keg, and elsewhere. He is the author of MARY OLIVER (Lithic Press, 2019), which is no longer for sale at the request of The Estate of Mary Oliver, as well as the chapbooks HEART SUTRA (Reality Beach, 2016), ABLAZA (Lithic Press, 2017), ASO 8016:2004 (Really Serious Literature, 2018), and Misrule (Ursus Americanus, 2019).
Timothy Otte is a poet and critic. Poems have appeared in Denver Quarterly, Sixth Finch, Fence, SAND Journal, Reservoir and elsewhere. Reviews have appeared in the Poetry Project Newsletter, and on Colorado Review, LitHub, and Chicago Review of Books, among others. He was a 2014–15 Loft Mentor Series winner and a fellow at the 2017 Poetry Incubator. Otte keeps a home on the internet: www.timothyotte.com. Say his last name like body.
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Allison Blevins received her MFA at Queens University of Charlotte and is a Lecturer for the Women’s Studies Program at Pittsburg State University and the Department of English and Philosophy at Missouri Southern State University. She has been a finalist for the Cowles Poetry Book Prize, the Pablo Neruda Prize for Poetry, and the Moon City Poetry Award. Her work has appeared in such journals as Mid-American Review, the minnesota review, Nimrod International Journal, Sinister Wisdom, and Josephine Quarterly. Her chapbook, A Season for Speaking, is part of the Robin Becker series from Seven Kitchens Press. She lives in Missouri with her wife and three children.
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Danny Rosen founded and runs the Lithic Press. His second chapbook, Ghosts of Giant Kudu, was published in May 2013 by Kattywompus Press. His poems have appeared most recently in Pilgrimage, San Pedro River Review, Comstock Review, Fruita Pulp, Malpais Reveiw and elsewhere. He lives among dogs in the desert of western Colorado.
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Tammy Bendetti has published poems in Alyss, Bitopia, Calliope, Fiolet & Wing, Fire Poetry, Grand Valley Magazine, scissors & spackle, Sugared Water, Thank You for Swallowing, Yellow Chair Review and elsewhere. She writes and makes art from Colorado, where she lives with her partner, Corey, and their two little daughters. Corey denies the existence of narwhals. Please send help in the form of additional proof to @SkylarkLover, https://www.patreon.com/TammyBendetti, or https://artbytammybendetti.wordpress.com.
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Born and raised on the not so mean streets of Brooklyn, New York, Robert Cooperman now calls Denver home, where he has turned his love of the Old West into a cottage industry of poetry collections about the Colorado Territory and other aspects of frontier life. The Devil Who Raised Me (the origin story of Cooperman’s hyper-violent alter ego, the badman John Sprockett) is Robert Cooperman’s twentieth collection and tells how a nice kid turned into a stone killer. In the Colorado Gold Fever Mountains won the Colorado Book Award for Poetry. Closer to Cooperman’s Brooklyn origins, My Shtetl won the Holland Award from Logan House Press. Cooperman’s most recent collections are Their Wars (about his parents’ travails at Fort Bragg at the end of WWII), brought out by Kelsay Books, and That Summer, published by Main Street Rag Publishing Company, about Cooperman’s European wanderings in the summer of 1970. Cooperman’s chapbook/love letter to the Grateful Dead, Saved by the Dead, was published by Liquid Light Press.
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T.J. Gerlach is a Professor at Colorado Mesa University where he teaches creative writing and literature. He has an MFA from the University of Utah and a PhD from the University of Denver. His work has appeared in, among other places, Juked, Flash Fiction Magazine, Aethlon, Shark Reef, Press, Literal Latte, The Wisconsin Review, Mid-American Review, Fiction Southeast, Think Journal and The Review of Contemporary Fiction. He lives in Grand Junction, Colorado with his wife, the poet Jennifer Hancock.
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Devon Miller-Duggan has published poems in Rattle, Shenandoah, Margie, Christianity and Literature, Gargoyle. She teaches Creative Writing at the University of Delaware. Her books include Pinning the Bird to the Wall (2008), Neither Prayer, Nor Bird (2013), Alphabet Year, (2017).
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Jennifer Rane Hancock's poems have appeared in several journals, including the Antioch Review, Spoon River Poetry Review, Crab Orchard Review, and Puerto del Sol. She was nominated for a Pushcart Prize by the editors of Third Coast, and was a finalist for the Wabash Prize from the Sycamore Review. She lives in Grand Junction, Colorado, where she serves on the city’s Commission on Arts and Culture and leads a monthly poetry group at the Mesa County Public Library. Jennifer teaches writing and literature at Colorado Mesa University.
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Rosemerry Wahtola Trommer's poetry has appeared in O Magazine, in back alleys, on A Prairie Home Companion and on river rocks. She was appointed Poet Laureate of Colorado's Western Slope (2015-2017) and co-directs the Talking Gourds Poetry Club. Since 2006, she's written a poem a day. Favorite one word mantra: adjust.
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Juan J. Morales is the author the chapbook, The Ransom and Example of Atahualpa, and the collection, Friday and the Year That Followed, winner of the 2005 Rhea Seymour and Gorsline Poetry Prize. His poetry has appeared and is forthcoming in Acentos Review, Copper Nickel, Crab Orchard Review, Huizache, North Dakota Review, Palabra, Poet Lore, Sugar House Review, Washington Square, Zone 3, and others. He is the Editor/Publisher of Pilgrimage Magazine, a CantoMundo Fellow, and an Associate Professor of English at Colorado State University-Pueblo, where he directs the Creative Writing Program and curates the SoCo Reading Series.
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L. Luis Lopez is a professor emeritus from Colorado Mesa University. He is the author of four books of poetry, Musings of a Barrio Sack Boy, A Painting of Sand, Each Month I Sing and Andromeda to Vulpecula: 88 Constellation Poems. He is the winner of the American Book Award, as well as the Writers Digest Award, and has been published in numerous literary magazines.
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Kevin Carey, was born and raised in Pittsburgh, PA. He has a degree in English Literature from the University of Pittsburgh; where he also attended graduate school studying Secondary Language Arts Instruction. One part factotum, one part absurdist, he has performed as a cook, teacher, janitor, painter, stylist, style columnist and amateur videographer. Currently, he is performing a supporting role as construction site lackey.
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Kierstin Bridger is a Colorado writer who divides her time between Ridgway and Telluride. She is author of two books: Demimonde (Lithic Press) and All Ember (Urban Farmhouse Press). She is a winner of the Mark Fischer Poetry Prize, the 2015 ACC Writer’s Studio award, an Anne LaBastille Poetry Residency and was short-listed for the Manchester Poetry Competition in the UK. She is editor of Ridgway Alley Poems and Co-Director of Open Bard Poetry Series. The Podcast, Poetry Voice with Kierstin Bridger and Uche Ogbuji is her latest endeavor. She earned her MFA at Pacific University. She is a writing instructor at both the Ah Haa School and Weehawken Creative Arts.
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Robert King’s first book, Old Man Laughing was a finalist for the 2008 Colorado Book Award in Poetry and his second, Some of These Days, appeared in 2013 from Conundrum Press. The author of several chapbooks (What It Was Like; Naming Names; and Learning American), he recently won the Grayson Books Chapbook Competition with Rodin & Co.
He lives in Loveland, Colorado, where he directs the website www.ColoradoPoetsCenter.org
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David J. Rothman serves as the Director of the Graduate Program in Creative Writing at Western Colorado University, where he also directs the Poetry Concentration, edits the journal THINK, and directs the annual conference Writing the Rockies. His most recent book, co-edited with Jeffrey Villines, is Belle Turnbull: On the Life & Work of an American Master (Pleiades, 2017). His most recent volumes of poetry, both of which appeared in 2013, are The Book of Catapults (White Violet Press) and Part of the Darkness (Entasis Press). A collection of creative nonfiction about mountains and mountain towns, Living the Life (Conundrum Press), also appeared in 2013. His poems, essays and scholarly work have appeared widely, in journals including Agni, Appalachia, Atlantic Monthly, Gettysburg Review, Hudson Review, Kenyon Review, Mountain Gazette, New Criterion, Poetry, Sewanee Review, Threepenny Review and scores of other newspapers, journals and books. In 2018 he won a Pushcart Prize for the poem “Kernels,” which originally appeared in The New Criterion. He co-founded the Crested Butte Music Festival, was the founding Publisher and Editor of Conundrum Press (now an imprint of Bower House Books of Denver), and currently serves as Resident Poet with Colorado Public Radio and as Poet Laureate of Colorado’s Western Slope (2017-’19). With Toni Todd he co-founded and serves as co-director of the Gunnison Valley Poetry Festival and Reading Series. He lives with his family in Crested Butte, Colorado.
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A keen and patient observer of wildlife, and a careful writer, Will C. Minor sold his first story to Boys Life Magazine when he was sixteen. Since then he has had almost a hundred natural history articles accepted by magazines ranging all the way from small Sunday School weeklies to such quality slicks as American Forest, Desert Magazine, and Nature.
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